Robert Thomas is a composer, producer, sound designer and programmer. He often creates music and sound experiences which adapt in realtime to the listener or are interactive.

He uses a range of techniques and approaches from adaptive systems, algorithmic, generative, stochastic composition, procedural generation and machine learning / artificial intelligence. He composes and programs bespoke experiences for each project.

Robert has collaborated with Massive Attack, Imogen Heap, Hans Zimmer, Ben Burtt, Richard King, Tom Holkenborg, Carl Craig, Air, Bookashade, Jimmy Edgar, Mel Wesson, Little Boots, Chiddy Bang, Console, Sophie Barker (Zero 7) and Kirsty Hawkshaw (Opus III, Orbital, Tiesto).


Recent commissions include :

Pixel Records Sci Fi Supermall – Boiler Room x Google Pixel 2
Event soundtrack composed with AI systems and Wavenet style transfer processes.

Ecliptic Infinite generative 3d soundtrack for L-ISA Island system with L-Acoustics

Fantom App with Massive Attack

On Your Wavelength, Pulling Out All The Stops with Marcus Lyall.
EEG controlled piece for Leeds Town Hall pipe organ and lasers.

Hear The City Soundtrack to the city of Rio during Olympic games 2016

BBC Click Live Audience emotion reactive music for BBC live show

Past commercial clients include :

Google, BBC, CISCO, National Geographic, Nintendo, Revlon.

See the projects page for all recent projects.

From 2009 to April 2014 Robert was Chief Creative Officer, composer and producer at the pioneering music app company RjDj. He was a part of the team that created the iOS applications Inception the App ( over 6 million downloads), The Dark Knight Rises Z+, Dimensions, RjDj and Rj Voyager. His role at RjDj involved music composition, sound design, production, programming, product and UX design.